What Do You think, What CBI Is Doing Is Right Or Wrong???
Post your comments and ratings...
Wednesday, December 29, 2010
Tuesday, December 28, 2010
Life
Wow its sounds great na..."Life"!!!! When first time i was studying in the lower classes, the teacher dictated this small, sweet word Life . As I grew older with the passage of time I started seeing people.. I started Looking into the world where we all live now... Someday My Parents asked me the question "Beeta bada hoke Life mein kya banega"..... In other words what would u like to be in your life..... At time i remembered the dictation class where first time i had heard the word.... Ummmm at that time i was pretty confused "What the hell is this "Life" ".... I said "I l become a scientist" as i had read in magazine like Chandama that scientist are very rich n they can afford lots of lots of Chocolates.... For small kids life is a word which they write in their copy when dictated without knowing the meaning nothing else...
But now when we have in the door step for adolescence we are entering the real world where there would be no one to fight for u.... where we need to do everything of ourselves... In other words we will have our own independent LIFE....
There would be thousands of difficulties to shake ur base of sustenance n which makes u to stand of urslf....
Seriously speaking life is something that first take exam of your then it teaches us the lesson unlike our bullshit teachers in the schools.... But one thing that is clear is that it always gives you the chance for rectifying ourself...
The only truth in this world is that if u have taken birth in this world then u need to die some day despite of what u are... despite of what position u r in your company..despite of what u eat... where u live.... this is the ultimate truth of everything that is present in this world....
Before You lose Your breathe.... enjoy it fully....
ENJOY LIFE
By:Astrix pvt.ltd
Monday, December 27, 2010
hey guys , rate me.............
Review-Angels and Demons
Since “Angels & Demons” takes place mainly in the Vatican, and is festooned with the rites and ornaments of Roman Catholicism, I might as well begin with a confession. I have not read the novel by Dan Brown on which this film (directed, like its predecessor, “The Da Vinci Code,” by Ron Howard) is based. I have come to believe that to do so would be a sin against my faith, not in the Church of Rome but in the English language, a noble and beleaguered institution against which Mr. Brown practices vile and unspeakable blasphemy.
And it was partly, perhaps, because I chose to remain innocent of the book that I was able to enjoy “Angels & Demons” more than “The Da Vinci Code,” which opened almost exactly three years ago to an international critical hissy fit and global box office rapture. (The novel “Angels & Demons “was published three years before “The Da Vinci Code.”)
This movie, without being particularly good, is nonetheless far less hysterical than “Da Vinci.” Its preposterous narrative, efficiently rendered by the blue-chip screenwriting team of Akiva Goldsman and David Koepp, unfolds with the locomotive elegance of a Tintin comic or an episode of “Murder, She Wrote.” Mr. Howard’s direction combines the visual charm of mass-produced postcards with the mental stimulation of an easy Monday crossword puzzle. It could be worse.
The only people likely to be offended by “Angels & Demons” are those who persist in their adherence to the fading dogma that popular entertainment should earn its acclaim through excellence and originality. It is therefore not surprising that the public reaction so far has been notably calm. Theological hyperventilation has been minimal, and Columbia Pictures has not been accused of falsifying the history or corrupting the morals of Western civilization.
L’Osservatore Romano, the Vatican newspaper, has found nothing worthy of rebuke, and who can quarrel with that judgment? In the busy, bloody course of the picture a few hot topical buttons are gently grazed, but in the end (sorry if I’m spoiling anything) “Angels & Demons” boldly insists that science and religion must coexist, an empirical observation elevated to a statement of principle. Both the persecution of Galileo by the 17th-century church and the more recent (apparently fictional) practice of murdering priests in popular tourist locations in the name of reason are roundly condemned.
It is such killing — undertaken by an anxious grad-student type in the service of an obscure cause — that naturally preoccupies the film’s scholarly hero, the Harvard symbologist Robert Langdon. Langdon, no favorite of the Holy See and long denied access to the Vatican archives, is summoned to Rome to assess, and then defuse, a deadly threat involving antimatter, papal succession and the ancient pro-science terrorist underground known as the Illuminati. You didn’t suspect the Illuminati? Nobody suspects the Illuminati. Except Robert Langdon of course.
Played by Tom Hanks in his high minimalist mode, his face stroboscopically snapping from wry smirk to worried squint and back again, Langdon is something of a cipher in his own right, a walking embodiment of skeptical intellect who seems, most of the time, not to have a thought in his head. Once again Mr. Hanks is accompanied by a ravishing international movie star, in this case the Israeli actress Ayelet Zurer (“Munich,” “Vantage Point”). She plays Vittoria Vetra, an Italian scientist — specializing in “bioentanglement physics” — whose role is to serve not as a romantic foil for the sexless professor but rather as his sidekick sleuth and fellow panelist in a high-velocity interdisciplinary seminar.
The high-minded shop talk, half buttressed by real historical information, half floating in the ether of cocktail party nonsense, seems to be a crucial feature of a Robert Langdon adventure, and you can only be charmed when the symbologist says things like: “An obelisk! A kind of pyramid adopted by the Illuminati! If he’s going to kill, he’ll do it here.”
And as an exercise in extreme mass-market tourism “Angels & Demons” gives pretty good value. Unable to shoot in the Vatican itself, Mr. Howard and his team have deftly blended actual Roman locations with Hollywood stage sets and C.G.I. confections to make a dreamy, ephemeral Eternal City.
The costume and production design — all those red cardinals’ robes swirling dervishlike in the incense-tinted light, those sensuous Bernini sculptures and soundless library stacks — nearly steal the movie from the bland, dogged heroes. Luckily an international squad of potential villains and victims — you’ll figure out who is which soon enough, since Mr. Brown tends to let the wiring show when he rigs his surprise twists — has already carried out the larceny.
Just as “The Da Vinci Code” was rescued, or at least mitigated, by the twinkling nonsense of Ian McKellen, so is “Angels & Demons” kicked into something like life by the histrionic professionalism of Armin Mueller-Stahl, Stellan Skarsgard and Ewan McGregor. The three of them are players in a Vatican power struggle that takes shape after the death of a beloved pope.
His likely successors have vanished, and in trying to find them and prevent Vatican City from being blasted into oblivion, Langdon and Vittoria find themselves in a mare’s nest of hidden agendas and competing jurisdictions. Mr. Skarsgard, commander of the Swiss Guards, and Mr. Mueller-Stahl, a powerful cardinal, are obvious heavies, while Mr. McGregor has a fine time playing a wide-eyed Irish Obi-Wan with a wee bit of a messiah complex.
The utter silliness of “Angels & Demons” is either its fatal flaw or its saving grace, and in the spirit of compassion I suppose I’d be inclined to go with the second option. The movie all but begs for such treatment.
“When you write about us,” an erstwhile nemesis says to Langdon near the end, “and you will write about us, do so gently.” It was as if he were looking right into my soul. And how could I refuse such a humble, earnest petition? Go in peace.
And it was partly, perhaps, because I chose to remain innocent of the book that I was able to enjoy “Angels & Demons” more than “The Da Vinci Code,” which opened almost exactly three years ago to an international critical hissy fit and global box office rapture. (The novel “Angels & Demons “was published three years before “The Da Vinci Code.”)
This movie, without being particularly good, is nonetheless far less hysterical than “Da Vinci.” Its preposterous narrative, efficiently rendered by the blue-chip screenwriting team of Akiva Goldsman and David Koepp, unfolds with the locomotive elegance of a Tintin comic or an episode of “Murder, She Wrote.” Mr. Howard’s direction combines the visual charm of mass-produced postcards with the mental stimulation of an easy Monday crossword puzzle. It could be worse.
The only people likely to be offended by “Angels & Demons” are those who persist in their adherence to the fading dogma that popular entertainment should earn its acclaim through excellence and originality. It is therefore not surprising that the public reaction so far has been notably calm. Theological hyperventilation has been minimal, and Columbia Pictures has not been accused of falsifying the history or corrupting the morals of Western civilization.
L’Osservatore Romano, the Vatican newspaper, has found nothing worthy of rebuke, and who can quarrel with that judgment? In the busy, bloody course of the picture a few hot topical buttons are gently grazed, but in the end (sorry if I’m spoiling anything) “Angels & Demons” boldly insists that science and religion must coexist, an empirical observation elevated to a statement of principle. Both the persecution of Galileo by the 17th-century church and the more recent (apparently fictional) practice of murdering priests in popular tourist locations in the name of reason are roundly condemned.
It is such killing — undertaken by an anxious grad-student type in the service of an obscure cause — that naturally preoccupies the film’s scholarly hero, the Harvard symbologist Robert Langdon. Langdon, no favorite of the Holy See and long denied access to the Vatican archives, is summoned to Rome to assess, and then defuse, a deadly threat involving antimatter, papal succession and the ancient pro-science terrorist underground known as the Illuminati. You didn’t suspect the Illuminati? Nobody suspects the Illuminati. Except Robert Langdon of course.
Played by Tom Hanks in his high minimalist mode, his face stroboscopically snapping from wry smirk to worried squint and back again, Langdon is something of a cipher in his own right, a walking embodiment of skeptical intellect who seems, most of the time, not to have a thought in his head. Once again Mr. Hanks is accompanied by a ravishing international movie star, in this case the Israeli actress Ayelet Zurer (“Munich,” “Vantage Point”). She plays Vittoria Vetra, an Italian scientist — specializing in “bioentanglement physics” — whose role is to serve not as a romantic foil for the sexless professor but rather as his sidekick sleuth and fellow panelist in a high-velocity interdisciplinary seminar.
The high-minded shop talk, half buttressed by real historical information, half floating in the ether of cocktail party nonsense, seems to be a crucial feature of a Robert Langdon adventure, and you can only be charmed when the symbologist says things like: “An obelisk! A kind of pyramid adopted by the Illuminati! If he’s going to kill, he’ll do it here.”
And as an exercise in extreme mass-market tourism “Angels & Demons” gives pretty good value. Unable to shoot in the Vatican itself, Mr. Howard and his team have deftly blended actual Roman locations with Hollywood stage sets and C.G.I. confections to make a dreamy, ephemeral Eternal City.
The costume and production design — all those red cardinals’ robes swirling dervishlike in the incense-tinted light, those sensuous Bernini sculptures and soundless library stacks — nearly steal the movie from the bland, dogged heroes. Luckily an international squad of potential villains and victims — you’ll figure out who is which soon enough, since Mr. Brown tends to let the wiring show when he rigs his surprise twists — has already carried out the larceny.
Just as “The Da Vinci Code” was rescued, or at least mitigated, by the twinkling nonsense of Ian McKellen, so is “Angels & Demons” kicked into something like life by the histrionic professionalism of Armin Mueller-Stahl, Stellan Skarsgard and Ewan McGregor. The three of them are players in a Vatican power struggle that takes shape after the death of a beloved pope.
His likely successors have vanished, and in trying to find them and prevent Vatican City from being blasted into oblivion, Langdon and Vittoria find themselves in a mare’s nest of hidden agendas and competing jurisdictions. Mr. Skarsgard, commander of the Swiss Guards, and Mr. Mueller-Stahl, a powerful cardinal, are obvious heavies, while Mr. McGregor has a fine time playing a wide-eyed Irish Obi-Wan with a wee bit of a messiah complex.
The utter silliness of “Angels & Demons” is either its fatal flaw or its saving grace, and in the spirit of compassion I suppose I’d be inclined to go with the second option. The movie all but begs for such treatment.
“When you write about us,” an erstwhile nemesis says to Langdon near the end, “and you will write about us, do so gently.” It was as if he were looking right into my soul. And how could I refuse such a humble, earnest petition? Go in peace.
Sunday, December 26, 2010
hi guys i have also joined your blog. here's my first piece of advice..........Just close this crap and go to study.............wait, wait just joking ...................so it's our very own blog ..........we can do whatever we want.............................................wish you all a merry chirstmas and a rocking new year.
LIGHT COMBAT AIRCRAFT-TEJAS
Role :Multirole fighter
National origin: India
Manufacturer: Hindustan Aeronautics Limited (HAL)
Designed by : Aeronautical Development Agency
First flight : 4 January 2001
Introduction: 2010 (December 2010 IOC) [1][2]
Status: In development
Primary users: Indian Air Force
Indian Navy
Number built: 6 prototypes
5 LSP aircraft
Program cost: US$1.2 billion[3]
Unit cost: US$21 million [4]
US$31.09 million (Naval version)
GOOD OR BAD
This world has been created philosophically by god and scientifically by antimatters...With the creation of this world,first a single cell born and then they multiplied to make a multi-cellular organism and the greatest multiplication resulted in the formation of HUMAN BEINGS with the power to decide GOOD AND BAD...
Many things happens around us, some appear simple n some appear very complex; for an example a 12th class student who has practiced the math problems, for him the question seems simple but students like us find the paper to be very complexxxx.In all what we do affect our present n future despite of the fact whether it is GOOD OR BAD...
Along with the mind, God has gifted us the sense of self realization, and especially the conscience...What we see, what we talk, what we do all are governed by the mind... The mind without conscience is a devil one because mind without self conscience couldn't understand whats GOOD n whats BAD...
In my knowledge,people without conscience do the worst things and sometimes its the situation which compels them to become bad... It depends on our perception whether we consider something as GOOD OR BAD...Sometimes it so happens that for a moment one thing appears GOOD but the next moment we find it BAD... Sometimes our need overcomes our conscience and which compels us to do according to our need rather than our conscience...
But within the specified period of our landing on earth, no one neither u nor me can solve the mystery of WHATS GOOD N WHATS BAD...
By:Astrix pvt.ltd
By:Astrix pvt.ltd
Thursday, December 23, 2010
Getting Started
Hi Friends,
I have made a blog for us to save our friendship after later.
Its free to all .
You all can post comments,pics and videos to this blog and share among KVians.
Have a excellent blogging.
I have made a blog for us to save our friendship after later.
Its free to all .
You all can post comments,pics and videos to this blog and share among KVians.
Have a excellent blogging.
Subscribe to:
Posts (Atom)